The First Free Digbeth Cashpoint is now officially open! Jon Bounds kindly Cut The Riboon in the Nisa Convenience Store on Digbeth High Street, after which we downed a few pints of Cashpoint Real Ale in The Anchor. Pete Ashton has captured the moment for posterity.
Michael The Shopkeeper sent me some photos of the old shop fronts of Katie’s sandwich shop and the old Barber Shop and what lay within them.
Michael bought the two empty retail units and knocked down the walls to make one large Convenience Store.
Don’t forget to join us tomorrow, Wednesday 28th April 2010 at 6.00pm in the new Nisa Convenience Store on Digbeth High Street to watch Jon Bounds Cut The Cashpoint Riboon, after which we will retire to The Anchor for a pint of Cashpoint Real Ale.
Just to whet your appetites for the Official Launch Ceremony of the First Free Digbeth Cashpoint Wednesday week, Michael The Shopkeeper has sent me some photos of its installation. Join us next Wednesday 28th April 2010 at 6.00pm in the Nisa Convenience Store on Digbeth High Street to watch Jon Bounds Cut The Riboon and that before downing a pint of Cashpoint Real Ale at The Anchor.
This week sees the opening of the new Nisa convenience store, just next to the Digbeth High Street entrance of Birmingham Coach Station. Here’s a short video of Michael the Shopkeeper talking about what the new store will have to offer, such as grocery items, lottery tickets and….(drum roll)…..
A FREE CASHPOINT!
Yes, people, it’s here at last. Later this week Natwest will be installing Digbeth’s first free-to-use cashpoint in the store, which is open until 10pm Mon-Thurs and until midnight over the weekends. Naturally, Digbeth is Good cannot fail to mark this momentous occasion, which means it’s time for….(drum roll)….
THE DIGBETH CASHPOINT OFFICIAL LAUNCH CEREMONY!
Reg Varney using the first ATM in 1967.
You are all cordially invited to the Official Launch Ceremony of the First Free Digbeth Cashpoint next Wednesday 28th April 2010 at 6.00pm in the Nisa Convenience Store on Digbeth High Street. Local celebrity Jon Bounds (him off of Birmingham it’s Not Shit) will be Cutting The Ribbon and making a Filmed Cash Withdrawal. He has threatened to find a Reg Varney outfit for the occasion (knowing Jon whatever he wears, it’ll be good).
After the proceedings, the party will move onto The Anchor pub around the corner, where Landlord Gerry has promised to stock some special Cashpoint Real Ale.
I do hope you can join us for this glittering social gathering. No need to RSVP, just pop on your clean tux/bestest party frock and we’ll see you there.
There was a definite chill in the air last Saturday afternoon but that didn’t stop a good crowd braving the great outdoors for We Are Eastside’s East Stride, a tour of some of the area’s key arts venues led by local historian Ben Waddington.
We started off from The Old Crown, which as Ben pointed out, perhaps isn’t as old as it purports to be. We then made our way to where much of what makes up Digbeth all began, at Bennie Gray’s The Custard Factory. Those hanging about didn’t appear to be the usual skater kids that frequent its skate park, they seemed to be a much more rag-tag bunch.
'Aggressive Localism'
It turned out they were the creations of people participating in the Craftspace Collective ‘Aggressive Localism’ workshop led by Juneau Projects. You’ll be seeing these Morris dancer inspired costumes worn by skateboarders in the Lord Mayor’s Parade later this year.
The Uses of Enchantment at Rhubarb East
From thereon we visited the newly opened Rhubarb East Gallery in Rhubarb Studios on Heath Mill Lane, which is exploring The Uses of Enchantment with some lovely fine art photography from The Jackson Twins and Vee Speers, whose child portraits I found particularly captivating. Rhubarb-Rhubarb’s Creative Director Rhonda Wilson spoke of her joy in at last having a space to display work:
For years we have watched while the sometimes extraordinary talent emerging from our reviews and mentoring schemes, has been shown by other people, both in the UK and in international spaces. Now we have the pleasure of exhibiting the results of our efforts, in collaboration with some of the world’s most interesting image makers.
The pod space in VIVID
We carried on down Heath Mill Lane, stopping off at Eastside Projects to enjoy The Curtain Show and hear Gavin Wade talk about the artist-led, ex-industrial space and VIVID, where Director Yasmeen Baig-Clifford told the story of its versatile pod space developed by architect Ranbir Lal, a perfect solution for an arts organisation renting rather than owning their premises.
Jim Simpson
Ex Black Sabbath Manager and Birmingham International Jazz Festival founder Jim Simpson popped by and chatted with Lisa and Jenny from Capsule about the rougher, tougher type of music that seems to stem from industrial Birmingham.
St Basil's by Steve Cadman
Ben’s tour also included elements of local history and interest, such as the amazing brickwork on St Basil’s headquarters, which used to be a High Anglican Church.
Pip McKnight
Whilst we were oohing and aahing who should pass by but Pip McKnight, who told us all about how 7 Inch Cinema began whilst Birmingham Film Festival was folding, which was a cloud with a silver lining as they got a lot of the old equipment!
Spacesuit at Grand Union
We got to have a chat outside Ikon Eastside, where many of the tour later got to enjoy Flatpack and Capsule’s screening of Burning, before crossing the road to find the tucked-away Grand Union. The current exhibition Gon-goozler is well worth a look with a fun space-travel theme that includes a spacesuit, a weather-balloon and of course, cheese, some of which had disappeared before the night was out.
Grand Union artist studios corridor
What was really impressive about Grand Union was the studio space, where about 8-10 artists get their own, cheap self-contained work units to get creative in. The artists we met were as happy as pigs in mud in this place and spoke of the need for more like it. Like VIVID, Grand Union are tenants rather than owners of the old industrial space, but the units are flatpack so should they need to move, their studios can move with them to be reassembled in a new home.
James Langdon and Ben Waddington talk the We Are Eastside typeface
We bumped into artist James Langdon whilst we were there, who spoke with Ben about his development of the distinctive We Are Eastside typeface. If you look carefully you’ll find the A’s are a particularly curvaceous treat and as Ben pointed out, not unlike the outline of Eastside itself, although whether this is by accident or design I’m unsure.
Claudia Borgna installation at Rea Garden
Last stop on the tour was the Rea Garden on Floodgate Street, where Arlene Burnett of Behind Closed Doors spoke about their development of the space, and resident artists Claudia Borgna and Alex Lockett of Project Pigeon explained their very different installations. Claudia’s plastic bag flowers looked like seeds from another planet had landed in the bottom half of the garden and taken it over.
Bluen with her chick by Project Pigeon
Project Pigeon is a longer-term installation in the space, which means we get to see the pigeons develop from eggs to fully-grown birds. I got to stroke Bluen’s tiny chick (above), which is now the healthy, strapping 28-day old bird below.
Alex Lockett with Bluen's fully-grown chick
Unfortunately Ben didn’t have the time to take us to see Friction Arts’ The Edge or The Lombard Method, but both are well worth taking the time to venture over to the other side of the High Street.
Curtains at Curtain Show, Eastside Projects
There’s been some interesting online discussion about We Are Eastside since its launch, including a brilliant post by Jon Bounds at BiNS about increasing engagement in the arts, both by simple awareness raising and more in-depth local collaboration. The latter is something I’d like to see lots more of Digbeth – there’s some amazing cultural stuff going on around here, such as Irish Heritage and St Patrick’s Festival Birmingham which, for whatever reason, feels completely unconnected to much of the arts activity in the area.
Cheese at Grand Union. Mmmmmm....
From my resident’s perspective, both camps are making interesting, creative and exciting stuff happen, so it would be great to see them bounce off each other more. I suppose that’s why I’ve kind of fallen in love with Friction Arts, because they are so embedded within the community. I’d love to see arts organisations reach out more and work with local people who are already getting together and doing brilliant things under their own steam, my guess is that all involved learn an awful lot!
The Social Media Surgery for Birmingham’s voluntary organisations happened on Wednesday at the BVSC on Digbeth High Street, and again the turn-out was fantastic. In the Birmingham Bloggers Group’s reflections I was listed as a helper but thanks to my crappy laptop being unable to hook up to the wireless, I suspect I’d have been more help giving John Mostyn a hand with the tea. It will be great to see the blogs that are born from it, I’m especially interested in the Birmingham Ramblers’ Association Get Walking Keep Walking project, which is planning urban tours of the city.
I really do think I learnt more than taught at the event. Jon Bounds took me through mysociety and its various projects, my favorite being Fix My Street, where you can report, view or discuss local problems. And I got some gems from wisdom from Stef Lewandowski in a spick and span Hennessey’s pub afterwards, who had some great ideas for Digbeth is Good – watch this space!
I’m hoping these surgeries become a regular fixture, as much for my benefit as for the voluntary organisations!
As promised, here’s the first video taken by my brand new Flip, kindly donated to me by Fullrange Films. Spotted Dog landlord John Tighe gets his head shaved for charidee by a rather un-PC barmaid. Funilly enough, no-one wants the lock of hair I harvested that evening. Thankfully Jon Bounds has come to the rescue with talk of somehow locking it inside the trophy for Brummie of the Year 2008. I hope this will start a tradition of the previous years’ winner passing on discarded body bits to their successors, complete with ceremony, like when Miss World passes on her crown but a bit grosser.
